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JUNE WORKSHOPS: Anatomy and Audio Description

Announcing two upcoming workshops open to all (priority given to blind and visually impaired students), no prior experience required.

Both workshops take place online via Zoom.

To register for one or both workshops, please write to info@darkroomballet.com as soon as possible to complete the intake process.

Saturday, June 11, 2022

4:00 PM to 5:30 PM (Eastern Time)

No Diagram Anatomy for Dancers in the Dark Room Presents Anatomy in Detail: The Gluteus Complex (Butt Class) 

(link to Movement Research class listing)

The first in a series of three highly detailed workshops analyzing specific anatomical areas in detail. In this workshop, we will use movement and conversation to not only cultivate scientific knowledge related to the gluteus complex (the butt!), but also initiate a higher degree of body awareness and neurological learning in this area. Evolutionary history and the marvels of human variation will also be addressed in this workshop. No prior knowledge of human anatomy, dance, or self-audio description are required to participate, but all students will come away with deep anatomical knowledge, reduced movement anxiety, and tools to start learning how to talk about movement in a visceral way. Yes, we’ll be laughing, too.

Part One: Superficial muscles

Part Two: Intermedial muscles

Part Three: Deep muscles

Part Four: Bone

Part Five: Nerves and patterns of motor neuron response


Saturday, June 18, 2022

4:00 PM to 5:30 PM (Eastern Time)

Voices from the Dark Room: The Multitude of Audio Descriptions and When to Touch Them 

(link to Movement Research class listing)

This self-audio description workshop gives students the framework for thinking of audio description as not a singular process with a singular best practice, but as multiple art forms with multiple purposes. Audio description has, for too long, been considered as an access tool that can be deployed at a moment’s notice with little forethought, but this sort of thinking creates environments of severe inequity. Classrooms, rehearsals, and performances where blind and visually impaired people are given inadequate connection to the art at their center are ableist places.

Part One: Audio Description in Technique Class

Part Two: Audio Description for Narrative Performance (story arc)

Part Three: Audio Description for Non-Linear Performance (emotional quality)

Part Four: Audio Description as Cooperative Creation and Collaboration (two voices)

Part Five: Audio Description for the Ensemble (a thousand voices)

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Dark Room Ballet Introductory Classes for Blind and Visually Impaired Students — New Cycle Begins Saturday, April 9th

Beginning Saturday, April 9 from 4:00 PM – 5:30 PM (Eastern / New York Time)   


NOTE: This class is designed specifically for the educational needs of blind and visually impaired people.

This is a FREE class!

Hosted by Movement Research, Dark Room Ballet classes are designed specifically for the educational needs of blind and visually impaired people.

About Saturday Introductory Level Class:

This class is suitable for people with no prior knowledge of ballet. This repeating series of eight classes introduces students to the most common ballet vocabulary that they would need to know in order to participate in Open Level Dark Room Ballet Class. The class introduces students to necessary anatomical concepts like turnout, torso stability, foot sensitivity and mobility, sightless balancing, and the use of a taped floor for orientation.

Classes take place each Saturday online via the Zoom platform; there is also the option to call in via phone.

Register:

To register, email: info@darkroomballet.com

You can also reach Dark Room Ballet by phone at (929) 367-0025


  • If you are a blind or visually impaired individual interested in learning ballet remotely, please get in touch before April 9, so you can be registered for this class. If you have already contacted us, we will get back to you as soon as we can!
    If you have some ballet experience, you may also qualify to join the ongoing Dark Room Ballet: Open Level Class on Monday nights; please contact us if you are interested.
  • Returning students are welcome to re-join intro level classes, as well as encouraged to join Dark Room Ballet: Open Level Class. Please let us know if you would like to re-join intro class as a returning student.
  • If you work with an organization that serves blind or visually impaired people, please share this information with people who may be interested in registering for this class.
  • If you are NOT a blind or visually impaired student, you may qualify to join the ongoing Dark Room Ballet: Open Level Class on Monday nights on a select basis; please get in touch with us to explain your interest.

Other Classes in the Dark Room

In addition to online Introductory and Open Level ballet classes for blind and visually impaired adults, Krishna often teaches workshops on related topics open to everyone, including anatomy, improvisation and audio description.

New workshop information will be available soon for upcoming summer and fall workshops; here are links to information on past online workshops: Dark Room Ballet Workshops

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COMING SOON: No Diagram Anatomy for Dancers in the Dark Room (March 19 and March 26)

Sponsored by Movement Research, these two workshops are a continuation of and makeup dates for workshops held last year in the anatomy series.

Like all current Dark Room Ballet classes, these workshops:

  • Will take place virtually using Zoom
  • Prioritize the educational needs of blind and visually impaired adults
  • Are free, especially for blind and visually impaired students
  • Are taught by Krishna Washburn, a blind professional dancer and dance teacher

Workshop dates:

  • The Complete Lower Body: from the soles of the feet to pelvis — Saturday, March 19 from 4:00 PM to 5:30 PM (Eastern / New York Time)
    The Complete Upper Body: from the fingertips to the crown — Saturday, March 26 from 4:00 PM to 5:30 PM (Eastern / New York Time)

You can participate in either or both workshops.

Our instructor Krishna says of the workshops:

These two workshops are meant to help participants cultivate deep levels of body awareness, to get to know and appreciate the unique features of their own anatomy, and to feel movement in a highly specific way that can then be described verbally (self-audio description). These workshops are an invitation to disabled dancers, especially blind and visually impaired dancers, who may have been denied important information about their own bodies, or who have been discouraged from trusting their own physical perceptions, to find certainty, confidence, and joy in movement. 

These two workshops are not fine-grain scientific anatomical analysis, but workshops that do deep dives regarding sensing highly specific anatomy on more targeted regions of the body will be coming up later this year (June: Pelvis, August: Foot, November: Neck)

To register:

Please write to: info@darkrooomballet.com

Please let us know which workshop you would like to attend…

If you are not blind or visually impaired, please let us know why you would like to attend these workshops…

If you are a current or returning Dark Room Ballet student who has already registered, you don’t have to write, but you can if you want to!

Please note:

These workshops are separate from Dark Room Ballet Introductory Level ballet classes for blind and visually impaired adults (which begin again on Saturday, April 9th) and Dark Room Ballet Open Level classes, which are ongoing and open for registration; please let us know if you are interested in either class so we can learn more about you as a potential new student.

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WORKSHOP: Self Audio-Description and the Motor Neuron: Learning How to Play Your Own Instrument, Wed. February 16th from 6 PM to 7 PM (Eastern Time)

Krishna Washburn of Dark Room Ballet will be sharing one of her popular anatomy and audio description workshops, this time sponsored by Hook & Loop out of Philadelphia (not Movement Research in NYC).

The Dark Room Ballet community and friends are invited — if you have participated in a version of this workshop before, please feel free to join again!

The workshop is free and will take place online; you must register directly with Hook & Loop to receive the Zoom information and recording after the event.

Description and RSVP link below.

Self Audio-Description and the Motor Neuron: Learning How to Play Your Own Instrument

Wednesday February 16th, 2022

6:00 PM to 7:00 PM, Eastern Time


Facilitated by Krishna Washburn
Closed Captioning available

This workshop helps people to begin developing a self-audio description practice, in order to create movement art that connects with others on a visceral level. This workshop de-centers and de-prioritizes sight, and is appropriate for movers and dancers of all levels of experience or inexperience. Learn how to understand how movement feels in your body, and then practice talking about those feelings with others while also learning about the wonders of human anatomy.

By RSVP-ing you will receive the zoom link, full access information and a recording for this workshop. Recordings will be sent out by early March via Hook & Loop.

Please fill out this form to RSVP: Self Audio-Description and the Motor Neuron: Learning How to Play Your Own Instrument

Please send email to hookandloopphl@gmail.com with any questions.

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What Blindness Brings to Art: a conversation with blind and visually impaired movement artists

A virtual event on Friday February 4

Hook & Loop is a Philly-based accessible artist collective led by people identifying as Disabled, chronically ill, or on the disabled spectrum which create accessible spaces, creative practices and interdisciplinary events to be experienced by everyone.

As part of the “Fractals” series, Krishna Washburn will be participating in a virtual event…


Facilitated by K. Hamilton Projects via Hook & Loop:

What Blindness Brings to Art: a conversation with blind and visually impaired movement artists

FRIDAY FEBRUARY 4, 2022

2 PM to 3 PM Eastern Time (podcast screening to follow until 4 PM)

Featuring: Kayla Hamilton, Christopher Unpezverde Núñez, iele paloumpis & Krishna Washburn

Full Program Information for all events in this series: HOOK & LOOP Fractals Program

To RSVP for this event, please fill out this form and select the February 4th event: HOOK & LOOP Virtual Event Series RSVP

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Dark Room Ballet Introductory Classes for Blind and Visually Impaired Students — New Cycle Begins Saturday, January 22! (and other classes available)

Beginning Saturday, January 22 from 4:00 PM – 5:30 PM (Eastern / New York Time)   


NOTE: This class is designed specifically for the educational needs of blind and visually impaired people.

This is a FREE class!

Hosted by Movement Research, Dark Room Ballet classes are designed specifically for the educational needs of blind and visually impaired people.

About Saturday Introductory Level Class:

This class is suitable for people with no prior knowledge of ballet. This repeating series of eight classes introduces students to the most common ballet vocabulary that they would need to know in order to participate in Open Level Dark Room Ballet Class. The class introduces students to necessary anatomical concepts like turnout, torso stability, foot sensitivity and mobility, sightless balancing, and the use of a taped floor for orientation.

Classes take place each Saturday online via the Zoom platform; there is also the option to call in via phone.

Register:
To register, email: 

  • If you are a blind or visually impaired individual interested in learning ballet remotely, please get in touch before January 22, so you can be registered for this class. If you have some ballet experience, you may also qualify to join the ongoing Dark Room Ballet: Open Level Class on Monday nights; please contact us if you are interested.
  • Returning students are welcome to re-join intro level classes, as well as encouraged to join Dark Room Ballet: Open Level Class. Please let us know if you would like to re-join intro class as a returning student.
  • If you work with an organization that serves blind or visually impaired people, please share this information with people who may be interested in registering for this class.
  • If you are NOT a blind or visually impaired student, you may qualify to join the ongoing Dark Room Ballet: Open Level Class on Monday nights on a select basis; please get in touch with us to explain your interest.
  • Other Classes in the Dark Room!

    • Saturday, March 19, 2022 and Saturday, March 26, 2022 are the make-up dates for No Diagram Anatomy for Dancers in the Dark Room, an interactive dancers’ anatomy course that de-centers sight, and will cover the complete lower body and complete upper body, respectively.

    We look forward to hearing from you soon!

    Care about audio description and supporting dance art for blind and visually impaired people? Check out Telephone and Telephone Ko-Fi.

    Categories
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    Support the Telephone Film and Dark Room Ballet on #GivingTuesday!

    Cyber Monday is coming to a close, which means that tomorrow is Giving Tuesday!

    You may have heard about the Telephone Film project before. 

    If you haven’t, here is some more info:

    The first of its kind, Telephone is a work-in-progress short film bringing awareness to the important art form of audio description (AD) for dance. Audio description allows blind and visually impaired people to be included fully in the joy of artistic expression.

    Co-directed by Dark Room Ballet founder Krishna Washburn and choreographer Heather Shaw, Telephone is the first screendance film created specifically with a visually impaired audience in mind, while facilitating an immersive sensory experience for audience members of all sight levels.

    Created during the global pandemic, the film features diverse disabled and non-disabled artists from across the globe, demystifying and legitimizing AD, not just as an access tool, but as a beautiful, rich art form in its own right.

    Telephone is at the forefront of a completely new approach to audio description. Most of what is considered “best practice” for AD is meant for television or film. A neutral AD voice describes the visuals and does not express emotional content. In television and film, the performers’ voices (layered over the AD) inform the audience of the emotional themes. However, in dance, performers rarely speak. Is the neutral AD voice really the best choice for dance? How do those listening to the AD connect with the emotional content of the performance?

    The audio describers of Telephone are reshaping the world’s perception of AD, adding emotional context and allowing their words to dance in the same way a dancer’s body moves. The result is a beautiful merge of poetry and movement, proving that:

    Dance is visceral – not merely visual.

    Telephone Film is in the post-production stage, and is just $600 away from being able to meet a minimum goal to pay for editing and accessibility services.

    You can help!

    Interested in making a one-time donation? You can do so on Ko-Fi.

    Interested in Dark Room Ballet Merchandise in support of Telephone? Limited quantity tote bags* are available at the following links: Air Between My Vertebrae, Fingers Awake and Alive, and Heels like Magnets.

    Watch the Telephone film trailer (with credits and expanded description)… and then, do the Telephone Rock!

    (The Telephone Rock is a Sesame Street video from 1977 with Muppets singing in and around a telephone booth… remember those? The lyrics are available here.)

    Thanks, as always, for supporting the missions of Dark Room Ballet and the Telephone Film!

    Categories
    News / Announcements

    WORKSHOP: No Diagram Anatomy for Dancers in the Dark Room (beginning November 13)

    Dark Room Ballet presents:

    Image Description: This is a black vinyl tote bag. On the
    front of the bag, there is an orange square that frames the words in all
    caps: AIR BETWEEN MY VERTEBRAE. Right underneath the words, there is an
    image of part of a curving spine. The square, words, and spine detail
    are made of an orange, flock vinyl material that has a soft velvet,
    fuzzy feel.

    No Diagram Anatomy for Dancers in the Dark Room

    Note: Dark Room Ballet classes prioritize the educational needs of blind and visually impaired students, but anatomy workshops are open to all.

    Sponsored by Movement Research

    This is a series of 5 individual workshops held online via Zoom beginning Saturday, November 13, 2021.

    All workshops take place on Saturdays, from 4:00 PM to 5:30 PM (Eastern/New York Time)

    (no class November 27, 2021)

    Students can take the complete series of 5 classes, or attend individual sessions as fits their schedule.

    Class Description:

    1. Planes and Chains: how the body relates to space, surfaces, directions, and itself (November 13)
    2. Biomechanics 101: How every single joint in the body operates (November 20)
    3. The Spine and its Supports: when people talk about the core, this is what they mean (Rescheduled to December 11)
    4. Motor Neuron Function and Human Variation: Learning How to Play Your Own Instrument (December 18)

    Please note: The Complete Lower Body workshops have been rescheduled and will be taught in 2022.

    Dates to be announced soon.

    To register:

     email: info@darkroomballet.com

    And please let us know which/how many of the workshops you would like to participate in.

    You can also let us know more about your interest in taking classes with Dark Room Ballet.

    Please note:

    This workshop series is separate from other class offerings; please contact us if you are also interested in:



    Categories
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    Gratitude in the Dark Room: A Collective Dance Improvisation with Krishna Washburn and jill sigman/thinkdance Saturday, July 3rd, 4 PM to 5:30 PM (EDT)

    SPECIAL CLASS


    [Virtual] Gratitude in the Dark Room:
    A Collective Dance Improvisation with Krishna Washburn and jill sigman/thinkdance


    Saturday, July 3
    4 PM to 5:30 PM EDT
    on Zoom

    Dark Room Ballet (sponsored by Movement Research) joins jill sigman/thinkdance in NYC to participate in a special, international collective dance improvisation initiated and conceived by Belgian dance artist, Ann Cailliau.

    On July 3, dancers in multiple locations and multiple countries will be taking time to use movement to express gratitude and connection through movement and orientation in space. jill sigman/thinkdance will be hosting a live outdoor event in Riverside Park in New York City simultaneously with this online workshop.

    No experience in improvisational dance is needed to participate. The whole event is designed for the educational needs of blind and visually impaired people, and participants are encouraged to unmute, ask questions, and self-describe throughout the event.

    Infinite gratitude for our collective wisdom, our collective knowledge!

    Register:

    To register, email: info@darkroomballet.com

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    Dark Room Ballet at CREATIVE CONVERSATIONS: DISABILITY, AGING AND ACCESSIBILITY (Thursday, June 24 at 6 PM Eastern Time)

    CREATIVE CONVERSATIONS: DISABILITY, AGING AND ACCESSIBILITY

    Thursday June 24, 6:00 PM to 7:00 PM (Eastern Time)

    sponsored by the Queens Council on the Arts

    Flyer for the event which is described right below...
    Event flyer with a photo taking up the top two thirds of the flyer and text in the bottom third. The top 2 thirds of the square shows an image of a black artist with an intellectual disability, squirting a paint bottle directly onto a canvas. With a black sweater thrown over his shoulder, brushes and bottles sit on a cart to his right, with framed colorful prints stacked vertically and neatly on a wall directly behind him. On the bottom third of the flyer, a solid yellow-orange color serves as the background for thick black lettering that reads “Creative Conversations.” Beneath this title, the subtitle reads, Disability, Aging and Accessibility, Thursday, 6.24, 6:00 – 7:30pm. Image by Daniel Tardif

    This session invites local artists and community members of all abilities to discuss issues pertaining to creative aging and disability. Worldwide, persons with disabilities represent 15% of the population; in the five boroughs, there are almost 1 million people with disabilities. Additionally, in Queens, the number of older adults has grown significantly in the last 5 years – many with limited access to cultural services.

    This session will feature the work of local artists with disabilities, including Krishna Washburn and Alejandra Ospina of Dark Room Ballet as well as representatives from Queens senior centers and the AHRC. The group will then be invited to discuss the intersectionality of aging and accessibility by exploring the following questions:

    • In what ways do the needs of persons with disabilities and seniors overlap, and in what ways do they differ?
    • What are some examples of accessible design that can benefit everyone?
    • As creators and artists, how can we be more inclusive to all communities including people with disabilities and older adults?

    This event is held in partnership with the Mayor’s Office for People with Disabilities. The conversation will be moderated by Walei Sabry, Digital Accessibility Coordinator at the Mayor’s Office for People with Disabilities.

    To register and join on Zoom:

    https://www.queenscouncilarts.org/calendar/2021/6/9/creative-conversations-aging-and-accessibility