An Invitation from Krishna:
Some of our community knows me best as a dance educator who is passionate about developing dance curriculum that suits the educational needs of blind and visually impaired people. Other folks might know me best as an artist and performer who is passionate about creating art developed with blind and visually impaired audiences in mind and cultivating the beautiful art form of audio description. Over the past several months I have been able to combine my two great passions, education and art making, in an ongoing film project in collaboration with choreographer Heather Dayah Shaw called the The Telephone Dance and Audio Description Game.
Telephone is everything I love: amazing dancers, amazing audio describers, people pushing the limits of their creativity, friendship and community, and dance art that is truly accessible to the blind and visually impaired community. Heather and I have been working on this as a project for a while, and we’ve started to drum up some interest from arts organizations, which means that we need to start thinking about funding for help with editing, promotion, and supporting the huge roster of Telephone artists.
For more information about how you can support this project, please visit our Patreon page! We have sneak peeks of the film, interviews and information about the Telephone team, and an accessible anatomy class that I’m teaching, Anatomy from the Inside Out.
Feel free to share information about our Patreon within and beyond the Disability Arts community. Much love, everybody!
Camille Tokar Pavliska is dancing alone in an empty room with an accordion door. The footage is black and white. Seta Morton’s voice narrates her movements. Davian Robinson appears on the left hand side of the screen. He is in a living room dancing in front of his dog, Charlie, who lays on the floor observing. Meanwhile, the text “Dance is visceral… Not merely visual” appears on the left hand side and is narrated by a male voice. Lillian E. Willis’s voice then describes Davian’s movement. Footage of Lillian appears next to Davian’s, she matches his movement. Lillian is in a bedroom with a chair on the left side of the bed.
