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News / Announcements

Support Dark Room Ballet on Giving Tuesday and Beyond

Supporting Dark Room Ballet Means Supporting Dance Education and Opportunity for Blind Artists and Audiences

Dark Room Ballet is celebrating its sixth anniversary, which means…

  • Krishna has taught almost 300 Open Level Classes for adults on Monday nights
  • 500+ adults have studied ballet and traditional blind dance techniques with Krishna in Open, Intro, and Pro level classes 
  • Krishna been offering audio description workshops and courses tuition-free since 2022
  • We’re revving up for our Fourteenth Cycle of the Dark Room Ballet Intro Class for blind and visually impaired adults that have not had the opportunity to study dance before

Dark Room Ballet is the only place where blind and visually impaired adults receive high-quality, pre-professional and professional level education from educators that share their disability – tuition free. And there’s so much more than ballet happening at Dark Room Ballet! 

Dark Room Ballet is now a driving force for high-quality audio description for dance

  • Audio Description Consultation services are expanding globally because of the efforts of Dark Room Ballet and the Telephone Film
  • With support from Dark Room Ballet and Telephone, Pacific Northwest Ballet created their first audio description program with audio describer Alyson Osborn — it’s now a model for large dance companies starting fully integrated audio description programs.
  • American Ballet Theater / ABT Rise produced their VERY FIRST audio described dance video for World Ballet Day on November 12. Dark Room Ballet donated many, many volunteer hours to ABT to ensure audio described media in its catalog. Three Dark Room Ballet-trained audio describers got paid for this project…

Dark Room Ballet continues to support, train, and consult with independent artists and dance companies as they create audio described dance projects. Some of our collaborators include: ShaLeigh Dance Works, Jo Troll, Emilee Lord, Toby MacNutt, and so many more!

Your donation will enable us to expand opportunities to train a new generation of audio describers of dance

Dark Room Ballet has Increased its Faculty with the Dark Room Collegium in 2025

Dark Room Ballet intends to build a full faculty of blind and visually impaired educators which we launched with Collegium 2025, a series of classes and workshops taught by the world’s best blind and low-vision movement and arts educators, sharing their artistry and knowledge with our community. Educators in 2025 include:

Expanding opportunities in 2026:

There are so many more blind and visually impaired arts educators that we want to bring into our community as rotating faculty. In fact some are already expressing interest in teaching in 2026:

  • Alex Bulmer, Award-winning playwright and actor, wants to offer regular classes in vocal skills for audio describers and self-describing dancers
  • Valentina Bertani, the world’s first blind dance teacher certified in the Simonson Jazz dance technique, is interested in bringing the joy and vibrance of jazz dance to Dark Room Ballet for the first time

Your donation will enable us to expand this important access for both blind learners and blind arts educators

Expanding our work requires more resources

Increased Administrative Support

Suzanne Joyal has joined our team working on community outreach and institutional organization. As Dark Room Ballet continues to grow, it’s clear that we’ll need even more administrative support starting in 2026. Roles we need to fill — and afford:

  • Audio and video editing and archiving
  • Fundraising support
  • Support for faculty

Your donation will help us hire the support staff we need to grow

Upgrades and Equipment

In order to support our growth, we’re going to need…

  • Lav mic sets for our educators
  • Hard drives and cloud storage for our class and workshop videos
  • Database software for maintaining our enormous database and for sending out newsletters like this one
  • Acoustic tiling for Krishna’s teaching space to create the *ideal audio environment* for blind and visually impaired learners
  • Track lighting for Krishna’s teaching space to reduce glare and visual interference to support our low vision learners
  • And who knows what else? Dance floors? Webcams? We’ll know as we go

Your donation will help us purchase the tools to expand access for blind students and artists

Support blind and visually impaired educators, learners, and artists this year and always by supporting Dark Room Ballet

Consider making a monthly donation to Dark Room Ballet this #GivingTuesday, or a one time donation — 

What can your donation do?

  • $10 a month pays for our DropBox storage
  • $25 a month pays for our Pro Zoom account
  • $100 a month pays for social media posts for upcoming courses
  • $250 a month pays for Rode lav mic sets for educators
  • $450 a month pays for a workshop with a new teaching artist
  • $1000 a month helps us hire grant writers in 2026

Love always, 

Krishna, Alejandra, Suzanne, Andre, Jonathan, and the whole Dark Room Ballet Community!

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News / Announcements

Yeah, It Was Good! Celebrating Audio Described Dance on December 13


Audio description for dance performances is still very rare, but that doesn’t mean that blind and visually impaired audiences should be satisfied when the audio description on offer is of low quality.

Several times over the last 3 years, Krishna has taught a popular audio description workshop called: Yeah, But Was It Good? Learning How to Listen to Audio Description for Dance Critically

But each time this workshop has offered, Krishna has discovered fewer and fewer examples of audio described dance available to explore online. Colleagues, companies and choreographers in the wide world of dance have made less of their work available in ways that prioritize the inclusion of blind and low-vision audiences — until now…

Save The Date!

On Saturday, December 13 2025 from 4 PM to 6 PM (Eastern Time), Dark Room Ballet will be sponsoring an audio described dance film showcase, with contributions from at least 3 blind/VI choreographers, and including new audio described work from the American Ballet Theatre!

We are still working out all the details, but this event will be free and open to all, and you can even register starting now, at the following link:

Zoom Registration Link for Yeah, It WAS Good! A Virtual Showcase Celebrating Audio Described Dance (Dec 13)

You’ll receive confirmation of your registration and a link to join from Zoom.

More details coming soon!


Image description:

A rectangular flyer with a muted pale-green background. Blurred diagonal film-strip graphics run from lower left to upper right, containing indistinct navy dancer silhouettes. Swooping orange brushstrokes overlay the background.

Text in dark black, purple and blue fonts reads:

SAVE THE DATE!
Yeah, It WAS Good!
A Virtual Showcase Celebrating Audio Described Dance sponsored by Dark Room Ballet
Saturday December 13, 2025, 4 PM to 6 PM (Eastern Time) on Zoom

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News / Announcements

Introductory Ballet for Blind and Visually Impaired Adults – New Cycle Begins February 21, 2026

Beginning Saturday, February 21st
From 4:00 PM – 6:00 PM (New York Time)

About Saturday Introductory Level Class:

This is a FREE class!

This class is suitable for people with no prior knowledge of ballet. This repeating series of eight classes introduces students to the most common ballet vocabulary that they would need to know in order to participate in Open Level Dark Room Ballet Class. The class introduces students to necessary anatomical concepts like turnout, torso stability, foot sensitivity and mobility, sightless balancing, and the use of a taped floor for orientation.

Classes take place each Saturday online via the Zoom platform; there is also the option to call in via phone.

Dark Room Ballet classes and workshops are taught by Krishna Washburn, a blind dancer and dance teacher, and they prioritize the needs of blind and visually impaired students.

Note:

This is the ONLY time this Introductory Ballet class will be offered again for the foreseeable future — if you or a another blind or low-vision individual ( adult 18+) or organization you know of might be interested in participating, they MUST reach out to us as soon as possible!

Please note that Dark Room Ballet Introductory Level Classes now operate as a scholarship program for new blind and low-vision students.

Learn more about the Dark Room Ballet Intro Level Scholarship Program


If you are a blind or visually impaired individual interested in learning ballet remotely, you MUST contact us by no later than February 18, 2026, so you can complete the intake process to register for this class.

Register:

The next Intro Level cycle begins on Saturday February 21, 2026

To register, email info@darkroomballet.com to begin the intake process.

You can also reach Dark Room Ballet by phone at (929) 367-0025

  • If you have some ballet experience, you may also qualify to join the ongoing Dark Room Ballet: Open Level Class on Monday nights; please contact us if you are interested.
  • Returning students are welcome to re-join intro level classes, as well as encouraged to join Dark Room Ballet: Open Level Class. Please let us know if you would like to re-join intro class as a returning student.
  • If you work with an organization that serves blind or visually impaired people, please share this information with people who may be interested in registering for this class.
  • If you are NOT a blind or visually impaired student, you may qualify to join the ongoing Dark Room Ballet: Open Level Class on Monday nights on a select basis; please get in touch with us to explain your interest.

Other Classes in the Dark Room

In addition to online Introductory and Open Level ballet classes for blind and visually impaired adults, Krishna often teaches workshops on related topics open to everyone, including anatomy, improvisation and audio description.

Learn more about past and upcoming online workshops: Dark Room Ballet Workshops

We look forward to hearing from you soon!

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News / Announcements

A Practice of Being Workshop with Kayla Hamilton – December 10, 2025

Presented as part of our Fall/Winter 2025 guest artist workshop series:

A Practice of Being Workshop with Kayla Hamilton

About Kayla Hamilton:

Kayla Hamilton is a Texas-born, Bronx-based dancer, performance maker, educator, consultant and artistic director of Circle O—a cultural organization uplifting Black Disabled and other multiply marginalized creatives.

About This Workshop:

Come exactly as you are—rested or restless, steady or stirred. In this improvisational movement space, there are no set steps and no pressure to perform. We begin with breath, curiosity, and a shared willingness to see what wants to emerge. Movement may arrive small and subtle—or bold and expansive. It might surprise you, delight you, or teach you something  about how your body wants to be known.

Together, we’ll play, experiment, and follow sensation as it leads us into rhythm, stillness, or flow. Each moment becomes an invitation to the next. There are no wrong turns—only new possibilities. 

For anyone who craves freedom in movement, trusts—or wants to trust—their impulses, and is ready to say “yes” , together.

Workshop Date and Details:

This workshop will be offered virtually on Zoom.

The workshop is two hours long, from 6 PM to 8 PM on  Wednesday December 10, 2025NEW date and time

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Krishna's Thoughts News / Announcements

What’s a Collegium, Anyway? (It starts so soon!)

You may have heard about the upcoming Dark Room Ballet Collegium, an upcoming free series of workshops sponsored by Dark Room Ballet that is starting very soon — the first workshop is coming up Thursday, October 9, 2025 from 6 PM to 8 PM on Zoom!

But what is a Collegium, anyway?

Merriam-Webster says, in part, that a collegium is:

An organized society or group: association” and also “a college, especially one in a university.”

That means that this series of high quality workshops, all provided for free by a group of passionate blind and low-vision professional artists, is like a Dark Room Ballet temporary university!

Read on to learn more about each offering, and reach out via email to register for any or all of these workshops at: info@darkroomballet.com to begin the registration process.

*If you have emailed but have not received a reply, we should have your message, but feel free to write again!

You can hear Krishna talk about the Collegium in a video on YouTube (with open captions and a transcript available):

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News / Announcements

Vortex Workshop with Christopher “Unpezverde” Núñez – December 6, 2025

Presented as part of our Fall/Winter 2025 guest artist workshop series:

Vortex Workshop with Christopher “Unpezverde” Núñez

About Christopher “Unpezverde” Núñez:

Christopher “Unpezverde” Núñez is a Costa Rican-American artist who works in choreography, film, installation, sound, and blind art. His work explores the connections between access, trust, mythology, anthropology, and heritage. Núñez contemplates the body, its movement, and how it interacts with energy and force in relation to space/time and from his visual impairment.

About This Workshop:

Vortex explores the anatomical planes (sagittal, transverse, frontal) and the axes of movement (anteroposterior, mediolateral, longitudinal) through the body and  space/time. Vortex is spatial alchemy. Disabled dancers learn to navigate internal and external spaces using our heritage, lineage, memory, proprioception, breathwork and  magical existence.

Workshop Date and Details:

This workshop will be offered virtually on Zoom.

The workshop is two hours long, from 4 PM to 6 PM on  Saturday December 6, 2025

Categories
News / Announcements

December 2025: Developing Your Voice Intensive with Alex Bulmer

Presented as part of our Fall/Winter 2025 guest artist workshop series:

Developing Your Voice — A Vocal Training Intensive Workshop Series with Alex Bulmer

About Alex Bulmer:

Alex Bulmer is an award winning Blind playwright, voice teacher, actor and performance maker with thirty five professional years working across Canada and the UK.

She finds joy and potency through mutual  growth and original expression, is dedicated to inter-dependent practice, and guided by an invitation to follow the grain of her own wood.

Alex is co-creator of multiple Blind-led productions including May I Take Your Arm, Perceptual Archaeology, Gesture and Maddy and The Invisible Band of Groovers.

She is artistic director of Toronto-based Fire and Rescue Arts, which de-centres visuality from imagination to creation.

In 1990, Alex graduated with an Advanced Diploma in Voice Studies from the Royal Central School of Speech and Drama.

Since then, she has been supporting Blind and Sighted performers to experience vocal freedom – the deep connection between breath and voice, the energy of resonance and vibration and the dynamic physicality of speech.

About This Intensive Workshop Series:

Developing Your Voice is a special intensive workshop series that addresses the specific vocal skills needed by both audio describers of dance and self-describing dancers.

In Alex’s words: The human voice, your voice, is your primary instrument as a describer. When describing Dance, your voice is called upon to be more flexible and expressive. So let’s learn to play your vocal instrument well!

In these workshops, you will learn how to prepare your voice for description, and gain skills to enable you to express language in the most effective way.

The workshop will cover a brief overview of how the voice works, discuss how you can keep your voice healthy, and offer exercises to nourish and develop your vocality, and better engage with the physicality of language.

You will learn a warm up routine that you can practice to develop and support you to vocally best connect Blind audiences with the art of Dance, whether as an audio describer or dance or a self-describing dancer.

Workshop Dates and Details:

These intensive workshops are designed for the learning needs of different professional groups, but can be approached in a cumulative waywith the second workshop building on the skills developed in the first.

They will be offered virtually on Zoom.

All workshops start at 4 PM (Eastern Time), and include 90 minutes of vocal technique followed by 30 minutes of open question and answer time.

  • Wednesday, December 3, 2025: Developing Your Voice for Describers of Dance
  • Thursday, December 4, 2025: Developing Your Voice for Self-Describing Dancers

If you an an audio describer, for the first workshop, please bring a paragraph of text that you can read and practice during the workshop — a sample of audio description from a recent project is ideal! If you are an audio describer or self-describing dancer, for the second workshop, please memorize one sentence that you can use during the workshop — it can be anything!

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News / Announcements

November 2025 — Sensory Beyond Sight: A Choreographic Workshop Series with Davian “DJ” Robinson

Presented as part of our Fall/Winter 2025 guest artist workshop series:

Sensory Beyond Sight: A Choreographic Workshop Series with Davian “DJ” Robinson

About Davian “DJ” Robinson:

Davian “DJ” Robinson is a passionate and boundary-breaking visually impaired dancer, choreographer, and performer. Drawing from his lived experience and athletic movement style, he creates choreography that is both physically powerful and emotionally resonant. His work blends dynamic storytelling with raw embodiment, inviting audiences into a world where rhythm, resilience, and adaptability redefine how we move and connect. Through both performance and education, Davian challenges conventions and opens new possibilities for inclusive expression in the arts.

About This Intensive Workshop Series:

Sensory Beyond Sight cultivates movement using breath, touch, spatial hearing, weight, and proprioception rather than sight. Developed by visually‑impaired choreographer DJ Robinson, the practice empowers participants to:

• Discover liberating, imaginative movement without visual imitation.
• Deepen body awareness in time and space.
• Build trusting partnerships that translate verbal cues into motion.

Tactile & Creative Supplies:

DJ often designs choreography using a tactile drafting board/felt board.

Magnetic or Velcro pieces represent dancers and pathways, allowing him to map formations by touch and communicate spatial ideas clearly.

This reminder models how tactile tools can replace sight‑based diagrams.

What follows are shopping links for the different equipment options that you can choose to use during the workshop series and continuing on in your own choreographic practice:

  • Wikki Stix Neon Pak (Amazon link)
    Reusable, bendable wax-coated yarn sticks for creative tactile art and sensory play. Great for children, educational projects, and travel activities.
  • DRAFTSMAN Tactile Drawing Board (APH link)
    A specialized tactile drawing board with stylus and film sheets, allowing blind or visually impaired users to create raised-line graphics. Durable and portable, offered by the American Printing House for the Blind.

Workshop Dates and Details:

This workshop series is cumulative, and each of the four workshops builds on the skills developed the week before.

All workshops start at 4 pm (Eastern Time), and are 90 minutes long.

  • Saturday, November 8, 2025: Breath & Foundational Body Awareness
  • Saturday, November 15, 2025: Deep Tactile Awareness & Directionality
  • Saturday, November 22, 2025: Partner Guiding & Shape the Mode Expansion
  • Saturday, November 29, 2025: Trust Guide Series & Culmination
Categories
News / Announcements

Musicality Concepts in Ballet — A Pro-Level Intensive Workshop Series with Hannah Werbel

Presented as part of our Fall/Winter 2025 guest artist workshop series:

Musicality Concepts in Ballet — A Pro-Level Intensive Workshop Series with Hannah Werbel (October/November 2025)

About Hannah Werbel:

Trained in classical ballet, with forays into jazz, contemporary and modern swing dance, Hannah has been dancing and playing with music since before she can remember.

As a student of Dark Room Ballet herself, Hannah is excited to share her love of music and expression with the community. She believes in teaching from a perspective of curiosity and play, and is looking forward to helping students discover a sense of expression within the structure of ballet. 

About This Intensive Workshop Series:

Musicality Concepts in Ballet is a special intensive workshop series that analyzes and reinforces select  musicality concepts in the context of a pro-level ballet technique class. Each week, we will explore two contrasting concepts and experiment with them through different combination-based movement patterns. This workshop is designed for disabled dancers who have been dancing ballet consistently for at least one year and have strong ballet vocabulary recall. (If you’re taking ballet class every week, this series is for you!)

Workshop Dates and Details:


 These intensive workshops can be studied either in a standalone or in a cumulative way.

They will be offered virtually on Zoom.

The format of each workshop is similar to a ballet technique class, but with an open floor for questions after each few combinations.

Each workshop is two hours long:

Wednesday evening classes will run from 8 PM to 10 PM (Eastern Time)

Saturday evening classes will run from 6 PM to 8 PM (Eastern Time)

  • Wednesday, October 22, 2025: Accents and Rhythms (8 PM to 10 PM)
  • Saturday, October 25, 2025: Dynamics: using the floor to generate and dampen energy (6 PM to 8 PM)
  • Wednesday, October 29, 2025: Staccato and Legato (8 PM to 10 PM)
  • Saturday, November 1, 2025: Rubato: playing with the music (6 PM to 8 PM)

    If you are a taped floor dancer, have your floor taped as you would normally for ballet technique class, and be ready to dance ballet in a richer, more expressive way!

Categories
News / Announcements

October 2025 Improvisation Intensive Workshop Series with Shannon Brooks

Presented as part of our Fall/Winter 2025 guest artist workshop series:

Improvising with our Ecosystems: a Laboratory and Introduction to Improvising with Movement, Sound, and Self-Audio Description with Shannon Brooks

About Shannon Brooks:


Shannon Brooks is a multi-sensory, multimedia  artist working across movement, sound, sculpture, moving image, installation, and social-based practices.

Shannon’s work combines the heightened ritual of performance with the glorious imperfections of process. Their practice revels in the seams and edges of their work, lingers within transitions, and creates strange worlds. Shannon is a self-identified freak/weirdo and uses play and clowning to embrace the nonsensical. Their practice is iterative and spans time, it shifts form and medium to experiment to follow a thread of research or question, is it archival, it pierces into other dimensions.

As a Disabled and low-vision person, Shannon believes access is for everyone, is always transforming, and is a creative force that transforms time, space, and power structures.

Shannon will be accompanied musically on Saturdays by George Shands and Josh Meakim.

image is described in post
A two tone blue and white photo of George. His head is tilted to the right and he is making a calm face with a slight smile.

About This Intensive Workshop Series:

Improvising with our Ecosystems is laboratory to experiment with different approaches to improvisation, ground into your body’s impulses, explore imaginative embodiments, and play with self-audio description improv with live music. 

Workshop Dates and Details:

These four workshops are set up to build on one another but can be taken separately. 

They will be offered virtually on Zoom.

Each workshop is two hours long:

Thursday classes will run from 6 PM to 8 PM (Eastern Time) and will introduce new improvisation concepts

Saturday classes will run from 4 PM to 6 PM (Eastern Time) and will provide opportunities to more deeply explore those concepts while listening to live music!

  • Thursday, October 9th (6 PM to 8 PM): Improvising with our Interior Ecosystems: improvising with our bodies, impulses, memories, and self audio description.
  • Saturday, October 11th (4 PM to 6 PM): Improvising with our Interior Ecosystems: review + practice laboratory with live music.
  • Thursday, October 16th (6 PM to 8 PM): Improvising with our Exterior Ecosystems: improvising with our environments, materials, and others.
  • Saturday, October 18th (6 PM to 8 PM): Improvising with our Exterior Ecosystems: review + practice laboratory with live music.